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Callous Physical Theatre
  • About
    • The Work of Art: A Manifesto
    • About the Directors
    • Joséphine A. Garibaldi
    • Paul Zmolek
    • Collaborators
    • Articles & Presentations
    • Callous Thoughts (Blog)
    • Contact Us
  • Current & Recent
    • paulyrhythms
    • Gozo 2023
    • Mission Street Arts
    • Cagevent 2{020}2
    • The Sable Project 2021
    • Runescores (2020)
    • Pattern Bald Patterns 2020-21
  • Intermedia Projects
    • Artists in Residence >
      • Gozo 2023
      • Mission Street Arts
      • The Sable Project 2021
      • Buinho Creative Hub
      • SERDE, Aizpute, Latvia
      • Vanha Paukku, Lapua Finland
      • Cowwarr Art Space 2016
      • Fulbright in Riga, Latvia
      • Arteles Residency - 2012
      • Arte Studio Ginestrelle
    • Intermedia Performance >
      • Cagevent 2{020}2 >
        • Cagevent sound scores
        • Cagevent original texts
        • Cagevent mutated texts
      • Runescores (2020) >
        • Runescore 1 Mannaz
        • Runescore 2 Gebo
        • Runescore 3 Ansuz
        • Runescore 4 Othila
        • Runescore 5 Uruz
        • Runescore 6 Perth
        • Runescore 7 Nauthiz
        • Runescore 8 Inguz
        • Runescore 9 Eiwaz
        • Runescore 10 Algiz
        • Runescore 11 Fehu
        • Runescore 12 Wunjo
        • Runescore 13 Jera
        • Runescore 14 Kano
        • Runescore 15 Teiwaz
        • Runescore 16 Berkana
        • Runescore 17 Ehwaz
        • Runescore 18 Laguz
        • Runescore 19 Hagalaz
        • Runescore 20 Raido
        • Runescore 21 Thurisaz
        • Runescore 22 Dagaz
        • Runescore 23 Isa
        • Runescore 24 Sowelu
        • Runescore 25 Odin
      • Pattern Bald Patterns 2020-21
      • Buinho Stop Motion Videos
      • LPL Modular Play >
        • LPL MP Process
        • LPL MP Text
        • Performance Iterations >
          • reactivating exquisite corpse
          • Virtually Real
          • Clusterflock Ritual
        • LPL MP Collaborators
      • SERDE Istabas
      • Time the great unleveler
      • Aizpute stop-motion videos
      • Nameless, but in sight
      • The Great Finnish Licorice Taste Test
      • The Place Where I Start
      • Ghost Town: Pareidolia
      • Laptop Performance Laboratory
      • Global Corporeality
      • Sometimes it works, Sometimes it doesn't
    • InterMedia Installations >
      • Illuminating Site Birdsong >
        • Illuminating Site Birdsong Lanterns
        • Illuminating Site - Birdsong Window Gardens
        • Illuminating Site Star Pasture
      • Illuminating Site - Messejana, Portugal >
        • Illuminating Site Lanterns
      • House of Morgado in a Jar
      • Birch Loops
      • Arteles Residency - 2012
      • Appartengono-Ginestrelle
      • Altars - Ginestrelle 2011
    • Site Specific Works
    • Site Specific Festivals >
      • Kontaining/Ptarmigan
      • Big Dance/Little Space
      • Headlines
      • Train
      • SiteWorks 2009
      • SiteWorks 2006
    • Photo Essays >
      • Pattern Bald Patterns 2020-21
      • The Great Finnish Licorice Taste Test
      • Cobblestones, Riga 2014
      • The Birds of Kuldīga, Latvia 2014
      • Soil, Finland 2012
      • Bogs, Finland 2012
      • Ice Rink, Finland 2012
      • Birch Grove, Finland 2012
      • Understory, Finland 2012
      • Orange Poles, Finland 2012
      • Birch Close Up, Finland 2012
      • Wall Blur, Finland 2012
  • Theatrical Works
    • Joint Theatrical Works >
      • Stories from the Park
      • Grass is Green
      • Rue for Ophelia
      • Double Blind Sided
      • The Rule of Life
      • Landscaping for Privacy
      • Shaking the Yoke
      • XY
      • On the Backs of Our Mothers
      • Migrant
      • Grudge Match
      • Grudge Match: ReMatch
      • Subcutaneous
      • Zaum: Beyond Significance
      • In God We Trust
      • world forgetting by the world forgot
      • Mystical Bedlam
    • Garibaldi Repertory Works >
      • Realm of Shades (2014)
      • Masquerade (2013)
      • Suits (2012)
      • Forbidden Fruit (2011)
      • Push (2010)
      • At the Threshold (2009)
      • Something's Fishy (2006)
      • Anticipatory Illumination (2004)
    • Zmolek Repertory Works >
      • InDecision (2016)
      • Alone Together (2016)
      • Songs of Europe (2015)
      • I hear the noise of many waters (2014)
      • Tombo e Guerreiro (2013)
      • Zaum Etude #7 (2012)
      • They Stole a Necklace of 5 Million Pearls (2011)
      • Home is Where You Are (2009)
      • Something's Fishy (2006)
      • Not Yet Become (2006)
      • virtually At this moment In real time (1999)
SiteWorks, a one-of-a-kind outdoor art experience, is coming to the Museum of Glass (MOG) for the second time this summer to offer an excellent and affordable way to experience dance and performance art right in the heart of downtown.

In 2003, SiteWorks Directors Paul Zmolek and Josephine A. Garibaldi were living in Missouri and scouting locations in the Pacific Northwest for potential dance studios and bypassed Tacoma, but on a whim decided to check it out.

“The first place we went by was (MOG), and we were amazed at the performance opportunities and outdoor spaces of the museum. They cried to be performed in,” Zmolek said.

Zmolek and Garibaldi opened the BareFoot Collective together in 2005 and approached MOG about potentially holding an annual site-specific performance festival there, with little hope they would respond favorably. MOG agreed to it, and looked forward to the connection. “One of the wonderful things at MOG is that it’s a beautiful location devoted to art. Within a very small site there are many performance venues,” Zmolek affirmed. SiteWorks 2006 took place and was a success, making many local year-end lists as a “Top 5” art event in the city.

Site-specific performances are unique because they make use of the locations in which they are held, rather than creating their own space as on a traditional theater stage. This breaks up the whole buy-a-ticket-find-a-seat routine and makes it more of an experience. “It provides interesting challenges and problems for us to solve. One of my favorite aspects in site-specific performance is that you get casual bystanders and outside observers who were at the location for a different reason and then they see art. People might be going for a walk or going to the Hot Shop and there’s some dance going on,” Zmolek said.

The festival will be composed of four days of dance taking over the spaces of MOG, with Mt. Rainier, Thea Foss Waterway and the Tacoma cityscape as the backdrop. The beautiful pools in front of the museum, the cascading stairway leading to the entrance and the outdoor plazas of the edifice will serve as wonderful spots for the dancers to take over.

In total, there will be 14 different artists and dance companies performing during the festival, including Carrie Goodnight, MG&MH Arts, Rosa Vissers and Walrus Dance Company, and each has something special to offer to SiteWorks.

“We are very excited about the pool of artists this year. We received proposals from nearly twice as many as we had in 2006 and from as far away as San Francisco, New York and Spain,” stated Zmolek. There will be pieces that are whimsical, some that interpret man’s plight, pieces about dramatic relationships and some mixed media pieces utilizing video and music. Together they will all compose a true mixture of modern, contemporary American dance.

One thing that Zmolek said he hears often is that nothing arty happens in Tacoma and he simply does not think that is true. SiteWorks is proof. “There are lots of opportunities for art around town. This is the second time SiteWorks has been produced in three years. It’s a rare event. Very few cities have site-specific dance festivals. It’s something unique and the price is right…it just costs people’s time and effort to get there.

“It’s an exceptional opportunity to come see things in a unique setting. Anyone interested at all in the arts should check it out.”

SiteWorks 2009 will take place June 11-14 at various locations outside of the Museum of Glass. Performances will take place on Thursday and Friday at 4 p.m., and Saturday and Sunday at 2 p.m.
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