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Callous Physical Theatre
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    • paulyrhythms
    • Gozo 2023
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      • Mission Street Arts
      • The Sable Project 2021
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      • SERDE, Aizpute, Latvia
      • Vanha Paukku, Lapua Finland
      • Cowwarr Art Space 2016
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      • Arteles Residency - 2012
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    • Intermedia Performance >
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        • Cagevent sound scores
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      • Runescores (2020) >
        • Runescore 1 Mannaz
        • Runescore 2 Gebo
        • Runescore 3 Ansuz
        • Runescore 4 Othila
        • Runescore 5 Uruz
        • Runescore 6 Perth
        • Runescore 7 Nauthiz
        • Runescore 8 Inguz
        • Runescore 9 Eiwaz
        • Runescore 10 Algiz
        • Runescore 11 Fehu
        • Runescore 12 Wunjo
        • Runescore 13 Jera
        • Runescore 14 Kano
        • Runescore 15 Teiwaz
        • Runescore 16 Berkana
        • Runescore 17 Ehwaz
        • Runescore 18 Laguz
        • Runescore 19 Hagalaz
        • Runescore 20 Raido
        • Runescore 21 Thurisaz
        • Runescore 22 Dagaz
        • Runescore 23 Isa
        • Runescore 24 Sowelu
        • Runescore 25 Odin
      • Pattern Bald Patterns 2020-21
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      • Time the great unleveler
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      • The Great Finnish Licorice Taste Test
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      • Sometimes it works, Sometimes it doesn't
    • InterMedia Installations >
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        • Illuminating Site Star Pasture
      • Illuminating Site - Messejana, Portugal >
        • Illuminating Site Lanterns
      • House of Morgado in a Jar
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      • Arteles Residency - 2012
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      • Altars - Ginestrelle 2011
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    • Site Specific Festivals >
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      • Headlines
      • Train
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      • SiteWorks 2006
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      • Pattern Bald Patterns 2020-21
      • The Great Finnish Licorice Taste Test
      • Cobblestones, Riga 2014
      • The Birds of Kuldīga, Latvia 2014
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    • Joint Theatrical Works >
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      • Grass is Green
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      • Grudge Match: ReMatch
      • Subcutaneous
      • Zaum: Beyond Significance
      • In God We Trust
      • world forgetting by the world forgot
      • Mystical Bedlam
    • Garibaldi Repertory Works >
      • Realm of Shades (2014)
      • Masquerade (2013)
      • Suits (2012)
      • Forbidden Fruit (2011)
      • Push (2010)
      • At the Threshold (2009)
      • Something's Fishy (2006)
      • Anticipatory Illumination (2004)
    • Zmolek Repertory Works >
      • InDecision (2016)
      • Alone Together (2016)
      • Songs of Europe (2015)
      • I hear the noise of many waters (2014)
      • Tombo e Guerreiro (2013)
      • Zaum Etude #7 (2012)
      • They Stole a Necklace of 5 Million Pearls (2011)
      • Home is Where You Are (2009)
      • Something's Fishy (2006)
      • Not Yet Become (2006)
      • virtually At this moment In real time (1999)
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1   Mannaz
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The Self

Joséphine A. Garibaldi

Joséphine A. Garibaldi, co-artistic director of Callous Physical Theatre, is an interdisciplinary artist scholar dedicated to fostering collaborative art-making across communities, disciplines and cultures regionally, nationally and internationally through a dialogic practice of art-making and pedagogy. From environmental and performance installations, movement, sound and text based visual poetry, Garibaldi has collaboratively devised original performance, installation and digital works nationally and internationally for over 35 years.


1 Mannaz/The Self
"The starting point is the self. Its essence is water."  - Ralph Blum, The Book of Runes


Drawing a single rune (Odin's Rune, as this casting is named) is the most simple cast yet does not, by any measure, render a singular answer. An Odin's Rune reveals "an overview of the entire situation...the issue, present conditions and resolution" (Blum 46).
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Mannaz is the first rune that was drawn for me and coincidentally, the first rune of the Oracle, Mannaz: The Self. Following the logic of Odin's Rune, I surrendered to the rune which in turn, defined the thematic arc of the work: Self and Water. I have come to realize that having the first rune Mannaz is a great privilege and more to the point, a great responsibility. In working through Mannaz, the reckoning of Self is relational to Others, those close to me as well as those near and far away.

The activity of washing hands lingering in warm water and silky lather allows for a self-indulgence that briefly pauses time in an intimate, intertwining dance of palms, fingers and soap. Within the context of the pandemic, my self-indulgence is a deliberate act of disinfecting for the safety of self and others. A familiar tension of sensuality and sanitization emerges: a simultaneous nod to the simple yet complex balance of Life and Death, a balance that strives to minimize sickness and suffering.

The spoken text of the sound score I excerpted from Blum's writing on Mannaz. The durational time values of each of the 15 runes drawn by Paul to structure the rune score was determined by the number of the rune and whether it was upright or reversed when pulled and set on the table. Water sounds within the soundscape were determined by the tone and qualities of the accompanying Blum text of each of my 15 runes.

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