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Callous Physical Theatre
  • About
    • The Work of Art: A Manifesto
    • About the Directors
    • Joséphine A. Garibaldi
    • Paul Zmolek
    • Collaborators
    • Articles & Presentations
    • Callous Thoughts (Blog)
    • Contact Us
  • Current & Recent
    • paulyrhythms
    • Gozo 2023
    • Mission Street Arts
    • Cagevent 2{020}2
    • The Sable Project 2021
    • Runescores (2020)
    • Pattern Bald Patterns 2020-21
  • Intermedia Projects
    • Artists in Residence >
      • Gozo 2023
      • Mission Street Arts
      • The Sable Project 2021
      • Buinho Creative Hub
      • SERDE, Aizpute, Latvia
      • Vanha Paukku, Lapua Finland
      • Cowwarr Art Space 2016
      • Fulbright in Riga, Latvia
      • Arteles Residency - 2012
      • Arte Studio Ginestrelle
    • Intermedia Performance >
      • Cagevent 2{020}2 >
        • Cagevent sound scores
        • Cagevent original texts
        • Cagevent mutated texts
      • Runescores (2020) >
        • Runescore 1 Mannaz
        • Runescore 2 Gebo
        • Runescore 3 Ansuz
        • Runescore 4 Othila
        • Runescore 5 Uruz
        • Runescore 6 Perth
        • Runescore 7 Nauthiz
        • Runescore 8 Inguz
        • Runescore 9 Eiwaz
        • Runescore 10 Algiz
        • Runescore 11 Fehu
        • Runescore 12 Wunjo
        • Runescore 13 Jera
        • Runescore 14 Kano
        • Runescore 15 Teiwaz
        • Runescore 16 Berkana
        • Runescore 17 Ehwaz
        • Runescore 18 Laguz
        • Runescore 19 Hagalaz
        • Runescore 20 Raido
        • Runescore 21 Thurisaz
        • Runescore 22 Dagaz
        • Runescore 23 Isa
        • Runescore 24 Sowelu
        • Runescore 25 Odin
      • Pattern Bald Patterns 2020-21
      • Buinho Stop Motion Videos
      • LPL Modular Play >
        • LPL MP Process
        • LPL MP Text
        • Performance Iterations >
          • reactivating exquisite corpse
          • Virtually Real
          • Clusterflock Ritual
        • LPL MP Collaborators
      • SERDE Istabas
      • Time the great unleveler
      • Aizpute stop-motion videos
      • Nameless, but in sight
      • The Great Finnish Licorice Taste Test
      • The Place Where I Start
      • Ghost Town: Pareidolia
      • Laptop Performance Laboratory
      • Global Corporeality
      • Sometimes it works, Sometimes it doesn't
    • InterMedia Installations >
      • Illuminating Site Birdsong >
        • Illuminating Site Birdsong Lanterns
        • Illuminating Site - Birdsong Window Gardens
        • Illuminating Site Star Pasture
      • Illuminating Site - Messejana, Portugal >
        • Illuminating Site Lanterns
      • House of Morgado in a Jar
      • Birch Loops
      • Arteles Residency - 2012
      • Appartengono-Ginestrelle
      • Altars - Ginestrelle 2011
    • Site Specific Works
    • Site Specific Festivals >
      • Kontaining/Ptarmigan
      • Big Dance/Little Space
      • Headlines
      • Train
      • SiteWorks 2009
      • SiteWorks 2006
    • Photo Essays >
      • Pattern Bald Patterns 2020-21
      • The Great Finnish Licorice Taste Test
      • Cobblestones, Riga 2014
      • The Birds of Kuldīga, Latvia 2014
      • Soil, Finland 2012
      • Bogs, Finland 2012
      • Ice Rink, Finland 2012
      • Birch Grove, Finland 2012
      • Understory, Finland 2012
      • Orange Poles, Finland 2012
      • Birch Close Up, Finland 2012
      • Wall Blur, Finland 2012
  • Theatrical Works
    • Joint Theatrical Works >
      • Stories from the Park
      • Grass is Green
      • Rue for Ophelia
      • Double Blind Sided
      • The Rule of Life
      • Landscaping for Privacy
      • Shaking the Yoke
      • XY
      • On the Backs of Our Mothers
      • Migrant
      • Grudge Match
      • Grudge Match: ReMatch
      • Subcutaneous
      • Zaum: Beyond Significance
      • In God We Trust
      • world forgetting by the world forgot
      • Mystical Bedlam
    • Garibaldi Repertory Works >
      • Realm of Shades (2014)
      • Masquerade (2013)
      • Suits (2012)
      • Forbidden Fruit (2011)
      • Push (2010)
      • At the Threshold (2009)
      • Something's Fishy (2006)
      • Anticipatory Illumination (2004)
    • Zmolek Repertory Works >
      • InDecision (2016)
      • Alone Together (2016)
      • Songs of Europe (2015)
      • I hear the noise of many waters (2014)
      • Tombo e Guerreiro (2013)
      • Zaum Etude #7 (2012)
      • They Stole a Necklace of 5 Million Pearls (2011)
      • Home is Where You Are (2009)
      • Something's Fishy (2006)
      • Not Yet Become (2006)
      • virtually At this moment In real time (1999)
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4   Othila
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Retreat

Julie Leir-VanSickle

Creative Moves Performance


Julie Leir-VanSickle makes multi-media, interactive, and experimental performances interested in engaging a sense of curiosity and play and exploring non-traditional performance spaces. Her most recent projects have been performing multi- media dance performances "Shedding Skin," "Weaving Webs," and "Shell" at various Fringe Festivals across the United States and Canada; creating the dance film "Weather Patterns," and the performance piece "Wander and Wonder" for the Going Dutch Festival in Elgin, Illinois; collaborating with Callous Physical Theatre on Laptop Performance Laboratory both online and in Tallahassee, Florida; creating annual burlesque shows for Old Town Actors Studio in Pocatello, Idaho; and teaching movement creation workshops.



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Am I really signing up to go through the pains of the creative process while I'm stressed out
during a pandemic?

Guess so, better figure out a point of departure
and get working.

Oh hey, I've got a deadline now, that will give me the kick in the butt needed for actual completion.

Maybe printing the score and putting it where my eyes will see it regularly will give me the jolt
needed to get started.

The first thing I tried felt weird and stunted and didn't work. Toss that out. I still have time.

I really should work on this but things
feel so hectic all the time.

 
The span of time I have to do this is decreasing daily. I tugged along my camera on this walk,
I should really actually film something.


Getting a little entangled in the possibilities, but I'm submitting to the chill of the late afternoon and heading back home
to make dinner.

I have no desire to do domestic duties, but they do not magically suspend themselves
while art is being made.


After some contemplation, I make tags with every rune, the associated words, and
length of time for each.

It's time to release the pressure of coming up with something brilliant and just get to work.
I make plans to head for the hilltops.

My brain resists for a while, sure that whatever I am going to make will be awful, but I load the car with camera, supplies, and oldest kid and we transport ourselves to our favorite
local hiking trails.

We move forward, as usual looking for trails with no people parked at the trailhead, because pandemic. We find water. I start there.

Always a good way to defeat blockage and get things flowing. Oldest kid does not mind the delay as mom fiddles with her camera, and is quite content to sit and watch the river.


My impulse was right, small cards I can carry along and read the prompts from helps me with getting started and is recharging my excitement for the project.

When it is time to start dropping blocks of video into the editing program, I find that the precisely given times are actually making it go much quicker than my usual editing experience.

At first I am resistant to the spread of time between some clips and wonder if I should do...something with them. Eventually I find something interesting in the extraneous black spaces and leave them.

I look back, wonder what associations are brought up in the form of the abstract and overlapping video I made. After carrying the ideas in the back of my mind all month, I am glad to be done and ready to separate from
the work as it goes out into the world.

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