paulyrhythms
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7_5_3_
Two tracks subdivided in seven, five and three respectively. |
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4,5,6,7
counting 4,5,6,7 Chance numbers in 4,5,6,7. Counting to 4,5,6,7 in 4,5,6,7. Kitchen rhythms: Joséphine A. Garibaldi |
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2-6 erasure
Layered rhythm tracks at 150 bpm; shaker subdivided in 2, djun djun in 3, berimbau in 4, djembe in 5, bell in 6. Each track subjected to chance determined erasure in one second intervals. |
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3,4,5,7 cut ups
Words are cut from W.S. Burroughs' "The Cut Up Method" Four tracks are subdivided in 3, 4, 5 and 7. In track 3 every third word is spoken; in track 4 every fourth word; in 5 every fifth; and in 7 every seventh. |
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doors and drawers
Recordings of the opening and closing of every door and drawer in my house arranged via chance operations, with one-second intervals erased by a chance operation. |
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humm bai yah
Starting with the djembe's 15 count phrase, subdivided in 1,2,3,4,5; five percussion and three vocal tracks, each with a different rhythmic structure. humm(chance)bai(cuts)yah Chance determined erasures of previous work. |
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code names
Morse code, created by clapping and an online generator with chance determined erasures, of names I utilized in a previous production of mine.
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do re mi
Sol-fa scales, each note held for one measure with one measure rests. Tracks are divided into 2,3,4,5,6 & 7 count measures. |
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manifesto mash
Texts subjected to chance derived erasures:- George Maciunas, Joseph Beuys, Joséphine A Garibaldi & Paul Zmolek Remaining words structured in four word measures and performed at different tempi. |
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9 on 5
deeper deeper deeper Nine repeating rhythmic sequences played on the five-tone Granite blocks. The "deeper voice" filter applied to five tracks, two tracks have the filter applied three times. Tracks commence five seconds after the previous track starts. |
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embrace the earworms
Fragments of lyrics from 25 earworms selected by chance. |
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well, that's odd
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